Graceful Experiments

In the last year, I have nurtured a love for PanPastel colours since teaching Drawing Wild Animals with Craftsy, inspired by a series of Endangered Animals where their pastel innovation excited my spirit and creative process.

Although I have not had much experience using washi paper in my work, PanPastel recently asked if I would demo for Washi Wednesdays at The Japanese Paper Place.

I have been very excited to experiment with a selection of their beautiful, delicate papers, in preparation to demonstrate PanPastels & Mixed Media on Wednesday March 30th 2016.

Demonstrations will repeat throughout the day at approximately 1:00, 2:15, 3:30, 5:00 and 6:00. Please drop in at your convenience. It's Free!

It's the last demo to be held at their current warehouse (77 Brock Avenue, Toronto, Ontario, Canada M6K 2L3) as The Japanese Paper Place is moving!

This could very well be a transformative, amiable direction in my artistic voice ....

I very much look forward to sharing my journey with you!

love light

In the last few months, I had been waiting around to have time and a light bulb of inspiration to create. Perhaps winter blues, a touch of depression, and loss of focus - stress got the better of me. Although I wanted to sketch, to doodle, to experiment (I even splurged at the art store for some new sketchbooks and ink, in a moment of inspiration after visiting the AGO to see Turner's Painting Set Free exhibit) motivation seemed to be a random, fleeting, wondrous thing that fell through my fingers like apathetic sand... until I recently read this quote:

"The advice I like to give young artists, or really anybody who'll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the work itself. Things occur to you. If you're sitting around trying to dream up a great art idea, you can sit there a long time before anything happens. But if you just get to work, something will occur to you and something else will occur to you and something else that you reject will push you in another direction. Inspiration is absolutely unnecessary and somehow deceptive. You feel like you need this great idea before you can get down to work, and I find that's almost never the case." -Chuck Close

This was all timely with the demo request because I am mostly a project based artist, and I am grateful. Thankfully, throughout the winter months, I have still been open to booking and collaborating despite how I was feeling. This zest has reminded me that although it's is OK to feel the blahs and we should be gentle with ourselves when going through tough times, it is important to remember what it is you truly want, and honour your spirit... because this understanding is what gets us back to dancing our way to BIG dreams! Self-motivation is part of the creative process. So with this spark of truth, I am going to fight these blahs every inch of the way forward! I am making the effort to create. This is where all the wise words come into play ... in order to make dreams come into reality, it takes determination, dedication, self-discipline ... patience, trust and persistence ♥

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The Dancing Brush • one of my favorite brushes in the world!

It all started in 2010 at a demo, when artist Peter John Reid handed me a unique, crazy extra long rigger brush, that he though would lend well to what I was painting at the time. It was obvious I had way too much fun painting with this brush, and with a gentle smile, Peter so generously gifted it to me. From there on in, this special brush has become an exceptional tool in my work.

I call it THE DANCING BRUSH.

Almost every artist I demonstrate this brush to has wanted it and asked for the source. Back then, I had saved a link for the original one, but since the brand is now obsolete * sorry!* the good news I have found that DaVinci makes a very, very similar brush! The biggest differences are the tiny handle and more bulk from the belly to the tip (which has more of a point), yet the bristle length is the same (55mm long) made of synthetic filament (imitation Squirrel hair) and has results that are similar enough to make me * squee * with joy while using it!

DaVinci Short Stroke Brush, pointed tip | Series 706

DaVinci Short Stroke Brush, pointed tip | Series 706

This brush allows me to 'let go'. You can of course us it to effortlessly create perfect, pin-stripe lines - but with jiggles and wiggles (think, a jazzy groove!), it adds playful abstraction with unpredictable variegated lines and peculiar, out of the blue dashes!

It is available on Amazon.ca - although not cheap (DaVinci is a high end brand), it is worth every penny if you keep it in your usual brush kit, reach for it often, and take care of it.

Here are some examples/inspiration for you, or works that benefited from The Dancing Brush!

Enjoy xo

The dancing brush was used to create impression of foliage 'scribbles'

The dancing brush was used to create impression of foliage 'scribbles'

The Dancing Brush was used with the Interference Gold accents in the background.

The Dancing Brush was used with the Interference Gold accents in the background.

The Dancing Brush is THE BEST for pin stripes!

The Dancing Brush is THE BEST for pin stripes!

Many elements of this mixed media piece were created using The Dancing Brush, from gestural scribbles, to dots!

Many elements of this mixed media piece were created using The Dancing Brush, from gestural scribbles, to dots!

Using The Dancing Brush with Interference Turquoise, this piece came alive!

Using The Dancing Brush with Interference Turquoise, this piece came alive!

Wallacks-Demo-Feb-2012

Wallacks-Demo-Feb-2012

My favorite art materials!

A reference for artists taking Painting Wildlife: Acrylic Mixed Media and Drawing Wild Animals on Craftsy.com